On 7/26/25 we dare to break our solo show format for the FIRST EVER CCC “really big summer time” GROUP SHOW from 5-8pm at 1075 MAIN STREET Cambria, CA.
“Gas stations are America’s accidental museums—fluorescent-lit shrines to kitsch, camp, and chaotic consumerism. Exploring gas station merchandise through art becomes a way to examine the surreal poetry of the roadside: airbrushed wolves on velvet, rhinestone trucker hats, Jesus candles, lottery tickets, and beef jerky side by side like some late capitalist still life. These one-stop culture convergence points are where regional identity, mass production, nostalgia, and irony collide in glorious overstatement. Through this lens, the gas station becomes more than a pit stop—it’s a stage where taste, myth, and marketing merge, inviting artists to remix its offerings into a new visual vernacular.”
-Charlie Smith curator of CCC
‘420’ by Thomas Lewis (oil and acrylic on panel) 24x24" 2024
“The roadside gas station began with the utilitarian function of providing fuel. Over time, it has evolved into a multifunctional hub that caters to a wide range of needs—service centers, convenience stores, restrooms, ATMs, and occasionally laundromats and showers. Despite their location, these stops share a surprisingly uniform design and cultural vocabulary.
Embedded within their functional purposes is a rich visual and material language: pop graphics, “Grab-n-Go” snack aisles, roller-grill hot dogs, and carefully curated souvenir displays. These items—snow globes, ashtrays, stuffed animals, and other keepsakes—transform the roadside stop into a site of memory-making. In doing so, they mark a shift: the traveler becomes a tourist, engaging in a performance of nostalgia and kitsch that renders the journey itself commemorative.
Souvenirs condense the essence of a place or experience into symbolic form. Over time, they can come to represent more than the events they were meant to mark—gaining symbolic autonomy. This process, where the part stands in for the whole, invests the souvenir with a fetishistic potential, amplified by the personal attachments of its collector. This emotional and highly personalized intensity is the hallmark of kitsch—an aesthetic in which feeling is enjoyed for its own sake, especially as it becomes detached from the object, which only serves as a theater of projections.
The term kitsch emerged in Munich in the mid-1800s to criticize certain forms of art deemed inauthentic, formulaic, or emotionally manipulative. Early accounts describe kitsch as a manufactured aesthetic experience—a substitute for "real" culture. As such, kitsch offers instant gratification, prioritizes surface over depth, and transforms the viewer from a critical participant into a passive consumer. Kitsch continues to be the site of a rich symbolic economy that people tend to overlook even though it makes up the air we breathe and the water we swim in as consumers living in the era of conspicuous consumption.”
-Steven Hampton
‘Volcano Time’ 2025 by Christopher Graham
Fabric dye, polyester resin on polyester
10x16 inches
Contact Us
Hours
Thursday-Sunday
10am–6pm
Phone
805 503 3820
Location
1075 main street Cambria CA 93428

OPENING RECEPTION
Join us 7/26/25 as we dare to break our solo show format for the FIRST EVER CCC “really big summer time” GROUP SHOW from 5-8pm at 1075 MAIN STREET Cambria, CA.

Event One
Open Call for California Artists
Cruise Control Contemporary is excited to announce its inaugural group exhibition, SPRING BRAKE, and invites California-based artists to submit their work for this unique showcase.
This year’s theme is “Roadside Gas Station Merchandise”—a playful and thought-provoking exploration of the objects, aesthetics, and culture surrounding roadside stops. From kitschy souvenirs and quirky keychains to neon signage and ephemera, we’re looking for works that reimagine the everyday, elevate the overlooked, and celebrate the unexpected.
Submission Details
• Eligibility: Open to all artists living and working in California, 18 years and older.
• Mediums Accepted: All visual art mediums, including but not limited to painting, sculpture, photography, mixed media, video, and installation.
• Submission Deadline: negotiable
How to Submit
1. Send an email to info@cruisecontrolcambria with the subject line: SPRING BRAKE Submission.
2. Include the following:
• Your full name, city of residence, and contact information.
• A short artist bio (max 200 words).
• Up to 5 images of your work (JPEG format, 2MB max per file). For video or installation, include a link to view your work online.
• Title, medium, dimensions, and year for each piece.
• A brief description of how your work connects to the theme (optional, max 300 words).
Important Dates
• Submission Deadline: ides of March
• Notification of Acceptance: April Fools Day
• Exhibition Dates: Mid April to JUNE 1st
Selected works will be part of a professionally curated group show that transforms Cruise Control Contemporary into a vibrant roadside oasis of art.
Hit the brakes, fuel your creativity, and join us in exploring the unexpected beauty of roadside culture. We can’t wait to see your take on “Roadside Gas Station Merchandise”!
For questions or additional information, please contact US!